Between the Jigs and the Reels

Rachel is a recovering violinist, having quit the instrument years ago. But when she hears school caretaker Phonse Flynn playing the fiddle, Rachel is enchanted. So much so, that she asks him to teach her how to play it his way.  Here’s an excerpt from their first lesson:

Phonse picked up his fiddle and cradled it, the wood gleaming like a brooch against his work shirt. Although I had practised, I was self-conscious now; my arms felt rigid.

“Like this, luh,” said Phonse. “See how it’s resting on my shoulder? It’s got to be loose, it’s got to be like a part of you.”

I slipped the fiddle into a softer pose. Phonse played a few bars very slowly, his movements exaggerated. Then he pointed his bow at me. “Have at ‘er, girl.”

I drew the bow slowly across the strings and tried to copy what he’d done. We repeated this a few times then he put down his fiddle, sat with his hands on his knees and listened, his head down. I was glad I couldn’t see his face.

“Good,” he said, when I stopped. “You got the talent all right, but you’re stiff as a plank, maid. Loosen up.”

Even as he spoke, I could feel my shoulders hunch forward, my right arm tight. I forced them back and began again. Once I’d mastered a piece, we would repeat the process. Phonse would play, then I would mimic. Line after line. His playing sounded fluid, soft, and floaty. Mine sounded staccato, laboured, and stodgy.

Now, enjoy this video featuring the master fiddler himself, Emile Benoit. And you know what, he looks a bit like Phonse.